Jacqueline Novak’s new Netflix standup special is a rite of passage story about a girl finding her way into womanhood. Kind of. For Marc, it was refreshing to watch something so frank, filthy and fun. For Jacqueline, it was an honest expression of what she finds funny, not a statement or provocation. Marc and Jacqueline talk about intentions and reactions in comedy, their approaches to making a special, and how depression factors into the creative output of a comic.
It’s the return of two past WTF guests who have lots of stories and common experiences to share with Marc. First, Hollywood’s everyman Ed Begley Jr. is back for the first time in a decade, fresh off writing his new memoir, To the Temple of Tranquility… And Step On It! Then Marc talks with Jonah Ray Rodrigues, who spent years crossing paths with Marc in the standup and podcasting worlds. Jonah explains why he gave up standup, started bartending, and dove into collaborative projects like the new movie, Destroy All Neighbors.
Billie Joe Armstrong and Green Day are heading out on a global tour as they celebrate the 30th anniversary of their breakout album Dookie, the 20th anniversary of American Idiot, and the release of their new album Saviors. Through it all, Billie Joe has tried to keep a healthy distance from fame while fronting one of the biggest bands of all time. Billie Joe and Marc talk about melodies, power pop, R.E.M., the Bay, his bandmates, and how he’s still learning songs on YouTube.
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The last time Greta Gerwig was on WTF, she had just directed her first solo feature, the independent film Lady Bird. Now she returns after directing and co-writing the biggest movie of 2023, Barbie. Greta talks with Marc about everything that went into making it, including the costumes, the production design, the performances, the comedy, the music and the personal vision she set out to communicate within the contours of a $140 million summer blockbuster.
Joel Edgerton’s decision to start a filmmaking collective with his brother and friends in Australia is the foundation for his career and an ideal representation of the collaborative process. Joel talks with Marc about the allure of menace, which he infuses into the films he’s directed like The Gift and Boy Erased, as well as his performances in movies like Black Mass, Animal Kingdom and The Stranger. Joel also explains the revelation that occurred to him on his latest film, The Boys in the Boat, which made him understand why we all love an underdog story.
Paul Giamatti and Marc have so many similar interests - amassing books, admiring marginal geniuses, taking jobs out of panic, reassessing classic movies, watching old late night talk show clips, wanting to be the guy in the coffee shop, the origins of conspiracies - that their conversation is a fitting representation of 1500 episodes of WTF. Paul also talks about the weirdest movie he made and goes into detail about his recent performance in The Holdovers.
For New Year’s Day, Marc introduces you to The Friday Show, a weekly episode available to Full Maron subscribers, hosted by WTF producer Brendan McDonald and Kris Lo Presto, a friend of theirs from back in the Air America Radio days. You’ll hear Marc, Brendan and Kris discuss the movie Air, a conversation with film critic Matt Singer about Siskel & Ebert, a celebration of the 30th anniversary of the film The Fugitive, and more.
Matt B. Davis is unique among WTF guests in that he did comedy for more than a decade, got out of the business and never wanted back in. Matt and Marc talk about how they got to know each other as comics, how they've helped each other in sobriety, and how Matt found a second career within the obstacle racing community. But then the conversation hits an obstacle of its own, as both Matt and Marc try to deal with a roadblock that's interfering with their friendship.
For Christmas Day, Marc presents a special collection of exclusive segments that were published this past year on the Full Maron bonus feed as part of the Marc on Movies series. First, a conversation with WTF producer Brendan McDonald about the films of Martin Scorsese. Then, Marc’s girlfriend Kit tries to walk him through the puzzles and mysteries of David Lynch’s Mulholland Drive. Finally, another talk between Marc and Brendan about the Sidney Lumet masterpiece Dog Day Afternoon.
Growing up in Ghana, director Blitz Bazawule relied on three things to transport him to other worlds: movies, American hip-hop, and his grandmother’s stories. Blitz tells Marc how he combined all three in his work as a director, how his style of visual poetry attracted the attention of Beyoncé, and how he suddenly found himself at the helm of his first major studio film, the musical version of The Color Purple.
Tammy Pescatelli and Marc were recently on the same show, performing for thousands in a basketball arena. Now in the garage, Tammy and Marc talk about their lives in comedy, which both of them spent earning their stripes on the road, putting in time at The Comedy Store, hosting daily radio shows, and headlining their own shows. But Tammy had to build it all back up after everything came to a halt due to one joke.
As one of country music’s most prolific singer-songwriters, Rodney Crowell talks with Marc about the art of songwriting, his evolution as a performer, and his collaborations with everyone from Emmylou Harris to Waylon Jennings to Rosanne Cash to Jeff Tweedy, who just produced Rodney’s latest album, The Chicago Sessions. Also, John Doe from the band X returns to the show to talk about his lead role in the new film D.O.A.
Peter Sarsgaard is always a memorable presence on screen and on stage. But in his latest role, he’s playing a man losing his memory at an early age. Marc and Peter talk about how life leads to inevitable encounters with dementia and mental trauma, and how depictions in art help us respond to them. They also talk about Peter’s relationship with sports, his collaborations with his wife, Maggie Gyllenhaal, and why he’s forever linked with John Malkovich.
Taylor Williamson’s obsession with comedy led him to club gigs as a teenager and national press coverage praising “the 19-year-old’s cerebral wit.” But Taylor tells Marc he was ready to give up on his dreams after a few years of the comedy grind. They talk about how America’s Got Talent was his salvation, what he learned after a decade of projects that almost got off the ground, and why he taped his new special at The Comedy Store, a place he views with equal parts gratitude and resentment.
Kate Simon’s love of photography started with a Polaroid camera and her talents put her right in the middle of the art and music scenes in London and New York City in the 1970s and ’80s. Kate and Marc talk about her notable subjects like Iggy Pop, Patti Smith, Andy Warhol, William S. Burroughs, The Clash, David Bowie and Led Zeppelin. But Kate explains why, out of all the artists she encountered, Bob Marley was the most unforgettable, which she documents in her book Rebel Music.
Jesse David Fox thinks comedy is serious business. As the comedy reporter at Vulture, he’s been writing about it for more than a decade. Now Jesse is attempting to explain the role of comedy in our ever-evolving culture in his newly published Comedy Book. Marc, as you may imagine, has some thoughts. Jesse and Marc talk about standup as an art form, the meaning of edginess, the melding of comedy with tragedy and grief, and the reason Maria Bamford is their favorite comedian working today.
A conversation more than a dozen years in the making, Albert Brooks finally agreed to sit down with Marc overlooking the Pacific Ocean at The Georgian Hotel in Santa Monica. After recently going over parts of his life and career in a documentary directed by his friend Rob Reiner, Albert fills in the gaps with Marc, talking about his early days doing bits for radio stations and television variety shows, his standup sets in LA clubs, and his first writing gigs. There are also lots of stories along the way about folks like Jack Benny, Garry Shandling, George Burns, Paul Lynde and Albert’s mom.
When Marc was living in Highland Park, he found out something interesting about his neighborhood optometrist. Not only was this man an eye doctor, he was an accomplished jazz trumpeter. Marc welcomes Dr. Elliott Caine to the garage to find out how a Midwestern Jewish kid stayed on parallel tracks throughout his life, one fulfilling a career pursuit, one fulfilling his musical passion. Also, Marc delivers his annual Thanksgiving pep talk from Florida.