American Beauty completely changed Wes Bentley’s life and is still doing so today, considering he got his current role in Yellowstone because of his performance as Ricky Fitts. But the sudden exposure to fame started Wes down a path of drug addiction that nearly ended his career and could have ended his life. Wes tells Marc about growing up in Arkansas as the son of two ministers, turning down Spider-Man, bottoming out in Argentina, cleaning up and getting a second chance.
From November 2012, Marc talks with Budd Friedman, the man behind the comedy club boom in America. Budd died on November 12, 2022 at the age of 90.
Marc revisits his 2011 interview with comedian Gallagher, recorded in Portland, Oregon on January 27, 2011. Their conversation about comedy, language and cultural tolerance led to Gallagher walking out on the interview, the first and only time that happened on WTF. Leo Gallagher died on November 11, 2022.
Quinta Brunson didn’t pave the traditional path to a hit network sitcom. In fact, she paved a path that didn’t really exist. Quinta and Marc talk about how she was one of the first people on Instagram to hit it big with the comedy she was making on there, which led to jobs at BuzzFeed and YouTube, acting gigs, and ultimately the chance to create Abbott Elementary. They also talk about her upbringing as a Jehovah’s Witness, the job she had to give up because of Covid, and why it’s so important to get the look of Abbott Elementary right.
Elizabeth Banks says she’s the kind of person who likes to get ‘A’s on tests. And in show business, directing feature films for Hollywood studios is the ultimate test. Elizabeth and Marc talk about how her imposter syndrome faded over the past few years and how Elizabeth feels like she’s acing the test as she finishes up her third film as director. They also talk about the uncomfortable timeliness of her new movie, Call Jane, and why she jumped at the chance to host the game show Press Your Luck.
Chris Redd knows what it’s like to have dreams and then watch them shift in the face of reality. It happened first with the dream of being a rapper, but then Chris realized he had a knack for this comedy thing. Now, as he departs SNL and releases his first HBO standup special, Chris and Marc talk about how your dreams further shift once you’ve had some success in life. Chris also tells Marc how he overcame his stutter, how he turned a corner in his struggle with anxiety, and how he’s adjusting to having money after growing up without any.
Veep creator Armando Iannucci knows his job as a purveyor of political satire becomes more difficult as politicians become more absurd and cartoonish. In fact, just hours before recording this episode, the Prime Minister of the U.K. resigned after a tumultuous six weeks on the job. Armando and Marc talk about the unfolding news and also get into Armando’s career in comedy, including his early radio work, creating Alan Partridge, taking on U.S. politics, The Death of Stalin, and his latest show Avenue 5.
Ron Carter is one of the architects of modern jazz. The Guinness Book of World Records cites him as the most recorded bassist in history and his influence has stretched well beyond jazz to a host of musical genres and styles. Marc talks with Ron about the dichotomies of his career, being a session musician and a band leader, a teacher and an eternal student, a maestro in concert halls and a regular in nightclubs. Ron explains how his output is all part of a responsibility he accepted long ago, one that continues today as he carries the flag of jazz throughout the world.
Jeremy Strong can’t help being honest. His honesty around his job as an actor is what leads to magazine profiles where he’s portrayed as “intense” and “serious.” His honesty also allows him to admit that he was afraid to do this interview. Marc embraces both that honesty and that fear in this conversation with Jeremy about acting, Succession, finding joy, being an empty vessel, being in service to others, Daniel Day-Lewis, Al Pacino and the new film Armageddon Time.
Henry Louis Gates, Jr. believes we must understand who we were in order to understand who we are. That goes for individuals, which is at the core of his PBS series Finding Your Roots, as well as society, which is the reason he made the new documentary series Making Black America. Marc talks with Professor Gates about the foundation of America, the progress that’s been made, and the inequality that remains, as well as the professor’s own unique upbringing that informs a lot of his thinking.
Everyone knows Ralph Macchio as Daniel LaRusso from The Karate Kid. In fact, so many people know him as Daniel LaRusso, he wrote a book about spending his life as that character. Ralph and Marc talk about his memoir Waxing On: The Karate Kid and Me, and delve into his life before the headband, as he worked with Francis Ford Coppola on The Outsiders, acted opposite Robert De Niro on stage, and tried to make sense of everything when superstardom hit. They also get into the protectiveness Ralph felt about the franchise when he was approached with the idea to revisit the character for Cobra Kai.
Béla Fleck is more than a virtuoso banjo player. He’s also a banjo missionary, an evangelist for an instrument he feels is often misunderstood and pigeonholed. Béla talks with Marc about how he wanted to move banjo music away from negative stereotypes and open audiences up to its world music roots, its classical applications, and of course its bluegrass heart. Also, Marc talks with director Michael Morris about the new movie To Leslie starring Andrea Riseborough and, oh yeah, Marc Maron.
Zahn McClarnon’s early experiences with reservation life helped him add some personal touches as a cast member of Reservation Dogs. But it was actually his experience with the musical Jesus Christ Superstar that got him into acting in the first place. Zahn and Marc talk about their shared love of working with Sterlin Harjo on Reservation Dogs and why it’s a history-making show. They also talk about Zahn’s struggles with drugs earlier in his life and how he actually used psychedelics to help kick heroin.
Jann Wenner’s life as the co-founder and publisher of Rolling Stone Magazine has been chronicled in other books, but Jann says he needed to write a memoir to declare what his generation actually stood for. Jann and Marc talk about the importance of San Francisco as the birthplace of not only the magazine but of ’60s culture in general. Jann explains why the Altamont Free Concert was a turning point for Rolling Stone, what happened in the cocaine-fueled days when the magazine moved to New York, and how close Almost Famous was to reality.
Writer-director Tony Gilroy is the man behind one of Marc’s favorite movies of all time, Michael Clayton. They get into everything it took to get that movie made and its surprising legacy. But the rest of Tony’s career and the curvy path his life took to get there are equally fascinating. Tony tells Marc about his dogged attempt to start a music career, how he transitioned into screenwriting, the joys of writing for the Devil, and how he came to embrace Star Wars with his new series Andor.
Abigail Disney feels the burden of her last name, particularly due to the practices of the global company that was founded by her grandfather Roy and grand uncle Walt. Marc talks with Abigail about her social awakening earlier in life and her current roles as an activist, philanthropist and filmmaker. They also discuss her new documentary, The American Dream and Other Fairy Tales, about the unequal economy as exemplified by the corporation that bears her name.
Multiple generations of audiences love Sigourney Weaver, whether it’s because of Ghostbusters or Avatar or Working Girl or the Alien franchise or all of the above. But Sigourney tells Marc she never imagined having a film career and in fact resisted it for a long time, preferring instead to work primarily in theater. And now, with movies like The Good House, Call Jane, Master Gardener and the Avatar sequel all releasing in theaters this Fall, Sigourney talks about how she’s never felt more comfortable working in film than she does now.
Sam Rockwell and Marc have talked with each other a lot since Sam was last on the show. Granted, during a lot of those conversations they were pretending to be a wolf and a snake, respectively. The Bad Guys co-stars embrace their human sides for this talk where they go over Sam’s journey to his Oscar win, the broadway production of American Buffalo with Sam and Laurence Fishburne, and the accent work Sam had to do for his new movie See How They Run.