Episode 1301 - Tony Kushner

Tony Kushner is one of the most important American playwrights of the past 50 years who is now a creative partner of one of the most important American filmmakers of the last 50 years. Tony talks with Marc about working with Steven Spielberg on Munich, Lincoln and the new adaptation of West Side Story. They also discuss the history of Jews in the Louisiana lumber industry, the pivotal moment of Angels in America that came to him in a dream, and the play he saw when he was six that made him want to be a part of the theater community.

Episode 1300 - Dana Stevens

Film critic Dana Stevens took her love for Silent Movie Era star Buster Keaton and told the story of the 20th century film industry as it evolved alongside Buster’s own life. Marc talks with Dana about her new book, Camera Man, which is not just a biography of Keaton. It’s a look at the politics of film, the beginning of the studio system, the start of film criticism, the rise and fall of early movie stars, and how America dealt with the seismic change that was ushered in by this new art form. 

Episode 1299 - Peter Dinklage

Peter Dinklage spent a good portion of his life trying to come to terms with ambition. It's something he's had an adversarial relationship with, going back to the days when he started a theater company that mounted no productions. But Peter tells Marc how he got more comfortable with having an acting career and how he learned to embrace mainstream success, whether it was from his star turn in The Station Agent or his work on Game of Thones or his latest film, the new adaptation of Cyrano.

Episode 1298 - John Mellencamp

John Mellencamp considers his whole career to be a total fluke. Maybe that’s because he never planned for anything in his life and just let the chips fall where they may. As he releases his twenty-fifth studio album, Strictly A One-Eyed Jack, John tells Marc what he learned opening for The Kinks, why he had to take the name Johnny Cougar, why he still hasn’t written something that makes him proud, and why David Letterman’s mom attributed Dave’s career to John.

Episode 1297 - Nicole Byer

Nicole Byer hosts the hit shows Nailed It! and Wipeout, is working on her new standup hour, hosts four different podcasts and is starring in the new primetime NBC series Grand Crew. But she still had time to join Marc in the garage so they can try to figure out why they both have such a hard time with physical affection. They also talk about Nicole’s days as an endearingly bad waitress, how she coped with losing both of her parents at a young age, and what few things she actually knows how to bake. 

Episode 1296 - Drew Michael

Drew Michael wants his comedy to feel different. He wants the audience to have a unique experience. This mindset actually reminds Marc of his own style of comedy, as well as a few other iconoclastic stand-ups who used their time on stage to get laughs but also get to the bottom of life’s problems. Drew and Marc talk about the combustible nature of experimental comedy, specifically Drew’s new special Red Blue Green. They also talk about how Drew’s childhood hearing loss shaped his life and made comedy a viable way for him to be understood.

Episode 1295 - Javier Bardem

Javier Bardem finds lots of inspiration in his native Spain: the art, the creativity, the history, the ham. Marc talks with Javier about the importance of being raised in a creative family, including his uncle who fought the fascists through his films and his mother who was his greatest teacher. They also talk about some of Javier’s most memorable performances in films like No Country for Old Men, Before Night Falls and his recent portrayal of Desi Arnaz in Being the Ricardos.

Episode 1294 - David Manheim

Most people who know David Manheim don’t know him as David Manheim. To fans of the Dopey podcast, he’s just Dave (no last name given), a recovering drug addict who built a tight-knit digital community around addiction, recovery and being human. David talks with Marc about how his career in show business fizzled out as addiction took hold of his life and how starting a podcast with a friend he met in recovery was his salvation. They also talk about Dave’s other life at Katz’s Deli and they get into the important hierarchy of deli meats. 

Episode 1293 - The Smothers Brothers

Recently, Marc talked with television historian David Bianculli about The Smothers Brothers Comedy Hour and the important place it holds in American culture. Talking with Tom and Dick Smothers themselves, Marc finds that the brothers are as surprised as anyone that they left such an indelible mark. Starting with an act that grew out of the folk music scene, Tom and Dick talk about the evolution of their variety show, how they wound up locking horns with the network that ultimately fired them, and why they’re getting back on stage after 12 years of retirement.

Episode 1292 - Rory Cochrane

When Rory Cochrane started acting, he knew he didn’t want to be a movie star. He wanted to be a freight train that keeps on moving. Rory tells Marc about the practices and measures he put in place to attain his goal of career longevity and artistic satisfaction. They also talk about why it’s important for him to work on productions where the crew is treated well, why he asked to leave CSI: Miami when it was still the biggest show on TV, and what led to some of his pivotal career moments in movies like Dazed and Confused, Black Mass, and Argo.

Episode 1291 - Aida Rodriguez

Aida Rodriguez wanted her first HBO special to be more than a comedy show. She wanted to depict the parts of her past that are foundational to her comedy. So that’s why she filmed a short documentary about her visits to Puerto Rico and the Dominican Republic, as she reunited with the father she hadn't seen in 40 years. Marc and Aida talk about how she got comedy material out of a life story that included being kidnapped twice, finding herself raising her children without a home, and breaking into the business later in life.

Episode 1290 - Guillermo del Toro

Guillermo del Toro believes in one universal truth: We all get to a moment in our lives when we see ourselves for who we really are. That belief not only guides his own life, it guides the characters through his many films. Guillermo and Marc talk about how he takes on the dark forces of the world in his movies, including his latest, Nightmare Alley. They also discuss his friendship with fellow Oscar-winning directors Alejandro González Iñárritu and Alfonso Cuarón, his expansive collection of oddities, and his strong identification with outsider characters and monsters.

Episode 1289 - Peter Jackson

Despite multiple Oscars and billions of dollars in box office returns, Peter Jackson still has the same interests he had when he was 10 years old: First World War airplanes, monster movies, using his Super 8 camera, and The Beatles. Peter tells Marc what it was like to be entrusted with more than 60 hours of Beatles footage to make the new documentary Get Back, why he was filled with dread when he started the project, and why he was surprised by what he found when he went through the footage. 

Episode 1288 - Cat Power

At one point, Chan Marshall was in a band called Cat Power. But it’s appropriate for someone like Chan, who had to be self-reliant almost from birth, that she’d adopt the name as her own once the band dissolved. Chan and Marc talk about her rebirth as Cat Power, the Atlanta music scene in the early ‘90s, carrying trauma throughout her life, and finding out that making music grounded her in something real for the first time. They also focus on her eclectic collections of cover songs as she prepares to release another album of them.

Episode 1287 - Halle Berry

Halle Berry wasn’t supposed to be in the movie Bruised. And she definitely wasn’t supposed to direct the movie Bruised. Then she wound up being in it and directing it, but no one wanted to take a chance on it. Now it’s such a hit for Netflix that they’ve signed her to a multi-picture deal. Halle tells Marc what it took to get to this place in her life and career, transcending her childhood of abuse to create a portfolio of performances where she breathes life into broken people. 

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