Abigail Disney feels the burden of her last name, particularly due to the practices of the global company that was founded by her grandfather Roy and grand uncle Walt. Marc talks with Abigail about her social awakening earlier in life and her current roles as an activist, philanthropist and filmmaker. They also discuss her new documentary, The American Dream and Other Fairy Tales, about the unequal economy as exemplified by the corporation that bears her name.
Multiple generations of audiences love Sigourney Weaver, whether it’s because of Ghostbusters or Avatar or Working Girl or the Alien franchise or all of the above. But Sigourney tells Marc she never imagined having a film career and in fact resisted it for a long time, preferring instead to work primarily in theater. And now, with movies like The Good House, Call Jane, Master Gardener and the Avatar sequel all releasing in theaters this Fall, Sigourney talks about how she’s never felt more comfortable working in film than she does now.
Sam Rockwell and Marc have talked with each other a lot since Sam was last on the show. Granted, during a lot of those conversations they were pretending to be a wolf and a snake, respectively. The Bad Guys co-stars embrace their human sides for this talk where they go over Sam’s journey to his Oscar win, the broadway production of American Buffalo with Sam and Laurence Fishburne, and the accent work Sam had to do for his new movie See How They Run.
Adrian Belew’s career in music was influenced by many and has influenced many more. As a completely self-taught guitarist, Adrian absorbed as much music as possible on the way to establishing his own sound and style. After getting his big break with Frank Zappa, Adrian went on to collaborate with David Bowie, Talking Heads, and Nine Inch Nails, just to name a few, and recorded 25 solo albums. Marc talks with Adrian about his amazingly prolific career, including his time with Robert Fripp and King Crimson.
Since the last time he was on WTF, Bradley Whitford spent a lot of time listening to the show while taking walks. So he’s primed and ready to take his ongoing one-sided conversation with Marc back to the garage and turn it into a dialogue. Bradley and Marc talk about aging, Quakerism, having grown children, their changing perceptions about acting, and Gene Hackman. Also, as the fifth season of The Handmaid’s Tale gets underway, they confront the ongoing threats to democracy that make the show’s narrative too close to reality.
Documentary filmmaker Brett Morgen likes to go into the deep end with his films. He never wants to repeat himself, or repeat any other docs for that matter. He wants his films to be an experiential, subjective expression, not a declaration of truth. All of this makes Brett an ideal director to tackle a subject like David Bowie, which he does in his new film Moonage Daydream. Brett and Marc discuss his work on other docs about Robert Evans, Kurt Cobain, Jane Goodall and O.J. Simpson, and Brett details the near-death experience that made him see the Bowie project differently.
Singer-songwriter Sharon Van Etten creates personal, deeply felt songs that also provide her with relief. Sharon talks with Marc about her stream of consciousness writing style and how it helps her process the difficult parts of her life. They also get into how Sharon’s new album emerged from pandemic isolation, how hard it was to tour in the Era of Covid, how her friendship with collaborator Angel Olsen got started, and why she continues to study psychology in the pursuit of a degree.
Al Ruddy's life as a producer taught him one major lesson: The making of every movie is itself worthy of a movie. That's why there's a limited series called The Offer about Al's experiences making The Godfather. Al tells Marc about the colorful encounters from his decades-long career in show business, including his work with Robert Mitchum, Burt Reynolds, Robert Evans, Marlon Brando and Clint Eastwood. Al also explains why he decided to make The Longest Yard instead of The Godfather Part II and he goes into the details behind one of his most embarrassing productions, the boxing kangaroo movie Matilda.
Whitney Cummings left the garage twelve years ago after a conversation with Marc and couldn’t shake something he said to her. It bothered her for years until she finally decided to own it and turn it into the name of her new standup special. Whitney and Marc hash out what happened during that initial WTF episode and get into all the things that have transpired since, including where they’re both at with their lives and comedy today. They also talk about horses, codependency, crying and TikTok.
Simu Liu is now an entrenched member of the Marvel Cinematic Universe, thanks to his portrayal of superhero Shang Chi. But Simu has his own origin story worthy of a comic book arc. Simu tells Marc how he left China at four years old and was raised by studious parents in Canada.. Only after losing his accounting job did Simu begin a secret life as an actor, an identity he kept hidden from his family until he could no longer fly under the radar. They also talk about Simu’s breakthrough in Kim’s Convenience, improving the representation of Asians in North American media, and the responsibility of being an Asian American superhero.
Singer-songwriter S.G. Goodman creates songs about complex people and conflicting ideas. She sings about complications that are close to her heart because she has lived them. Raised on a farm in rural Western Kentucky, growing up with a strong Christian background, reconciling the basis of her faith with her emerging understanding of philosophy, S.G. has plenty of stories she can tell through song. Marc talks with S.G. about farm life, being traumatized by corn, her OCD diagnosis, and her pandemic pen pal, Paul Schrader.
Andrew Garfield was terrified of being Spider-Man. As a 27-year-old who was not yet known to the world, he knew his life would immediately change once he became that beloved character. Andrew tells Marc what he did to protect himself at that time, which included going back to his theater roots and heading to Broadway. Andrew also talks about life since his mother's death, why he considers Ryan Gosling to be one of his inspirations, and why he's been on a spiritual journey with recent projects, including his performance in Under the Banner of Heaven.
Jerrod Carmichael has been busy since the last time he talked with Marc in the garage. He directed his first movie, On The Count Of Three. He put out his third standup special, Rothaniel, and hosted SNL, getting Emmy nominations for both. He also came out as gay. Jerrod talks with Marc about how terrified he was about coming out and how he faced his fear on stage as he incorporated it into his act. They also talk about Jerrod’s realization of the social responsibility in his work now and how his desire to subvert expectations keeps him going.
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Christina Ricci grew up around enough chaos to make her want constant control. Which is why the show Yellowjackets is such a different experience for her. As Christina tells Marc, she decided to surrender knowing anything about the direction of the show and its characters, and that lack of control is infused in her performance as Misty Quigley. They also talk about what Christina learned from Cher while making her first film, the much-loved movie she can’t stand watching herself in, and her long-time-coming partnership with Juliette Lewis.
Patton Oswalt returns to the garage more than a decade since his last appearance, but he and Marc have so much shared history that it’s always easy to pick up right where they left off. Patton and Marc talk about their memories of the San Francisco comedy scene, their encounters with Bill Hicks, their professional triumphs and their personal tragedies. They also discuss Patton’s latest projects including his comic book, Minor Threats, and his new film, I Love My Dad.
Journalist Sam Quinones blew Marc’s mind six years ago with his book Dreamland: The True Tale of America’s Opiate Epidemic. More recently, he devoted his research and reporting to understanding how America got caught in the clutches of newer, more addictive, and more lethal synthetic drugs. Sam’s latest book is The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth. Sam talks with Marc about how these drugs work over the brain, how they’re getting into the country, and how they have exacerbated America’s homelessness crisis.
Comedian James Acaster caught Marc’s attention when he released four hour-long Netflix standup specials simultaneously. But in watching the specials, Marc quickly recognized a likeminded comic with a compulsion to express himself. James and Marc sit down in a Montreal hotel room as the Just For Laughs Festival churns around them and try to figure out why they get so down on themselves while doing an art form that they supposedly love. They also compare notes on the tribal divisions in comedy both in the States and in the UK.
Neil Gaiman’s writing - from The Sandman to American Gods to Good Omens to hundreds of comics, novels and screenplays - uses fantasy to help explain modern reality. Marc talks with Neil about how his early work sidestepped the pre-adolescent male power fantasies of most contemporary comic books and helped connect with a broad and enduring fanbase. They also talk about the new adaptation of The Sandman for Netflix and why Neil believes his past experiences in TV led him to make the ideal filmed version of his work.